Changes made to Mozart-Da Ponte Operas

Revision 12

Created on Monday, 20th October 2008, 08:00
Change Submitted by Alan Titherington

List of Changes:

    • Change #1 - errando. <newline> <newline>Pisaroni plays the same role on the Glyndebourne [i]Cosi[/i] (mentioned below) and this is a great opportunity to see him play the character in a completely different, yet equally convincing way. <newline> <newline>Garry Magee

Revision 11

Created on Wednesday, 15th October 2008, 09:31
Change Submitted by Alan Titherington

List of Changes:

    • Change #1 - eady ([apost]slow[apost] being the wrong word here). <newline>

Revision 10

Created on Tuesday, 14th October 2008, 21:12
Change Submitted by Alan Titherington

List of Changes:

    • Change #1 - akin to the original18th Century settings an

Revision 9

Created on Tuesday, 14th October 2008, 21:06
Change Submitted by Alan Titherington

List of Changes:

    • Change #1 - poet, liibrettist

Revision 8

Created on Tuesday, 14th October 2008, 21:05
Change Submitted by Alan Titherington

List of Changes:

    • Change #1 - written. All three works are the results of collaborations between Mozart and Lorenzo da Ponte, a poet, liibrettist, and one-time brothel owner. <newline> <newline>Arou
    • Change #2 - <newline> <newline>Cosi (which da Ponte actually began working on with Antonio Salieri) is appar

Revision 7

Created on Tuesday, 14th October 2008, 20:53
Change Submitted by Alan Titherington

List of Changes:

    • Change #1 - course, alwaysquite often been cr
    • Change #2 - om subjecttories th
    • Change #3 - all writing. Should there be some sort of age certification on some opera/ballet DVDs? I would give that a big, fat [apost]No[apost] myself, but when some types find out what is going on, you can bet any amount that they will try to stamp their own sense of morality on things. <newline> <newline>If anyon

Revision 6

Created on Tuesday, 14th October 2008, 20:42
Change Submitted by Alan Titherington

List of Changes:

    • Change #1 - the cover, sleeve...at t
    • Change #2 - the back, ...in small

Revision 5

Created on Tuesday, 14th October 2008, 20:40
Change Submitted by Alan Titherington

List of Changes:

    • Change #1 - object... <newline> <newline>...and also, how obvious does a rape have to be, however staged, before a DVD has some sort of parental warning on it? A couple of future reviews are of opera DVDs with warnings about [i][apost]scenes of a sexual nature[apost][/i], or [i][apost]nudity and violence[apost][/i], yet perhaps because this is Mozart, whose music has been scientifically proven to expand the brains of babies and turn them into rocket scientists and generally well-rounded people*, then it doesn[apost]t matter what happens on stage. <newline> <newline>Opera has, of course, always been created from subjects that would not be allowed to be seen on TV before the watershed, and I was myself brought up on murder, rape, suicide and underage sex - well, what is [apost]Romeo and Juliet[apost] if it hasn[apost]t at least three of these? I just find it interesting that there must be a limit to what is shown [i]before [/i]something is put on the cover, at the back, in small writing. <newline> <newline>If anyone who has an opinion on the matter reads this, or more especially those who make the decisions, then please let me know. <newline> <newline> <newline>[small]*this was made up by me and may not necessarily have any basis in fact (although I turned out ok...apart from knowing nothing about rockets)[/small] <newline> <newline>[/page

Revision 4

Created on Tuesday, 14th October 2008, 20:15
Change Submitted by Alan Titherington

List of Changes:

    • Change #1 - x set. <newline>[/Page3] <newline> <newline>[Page4

Revision 3

Created on Tuesday, 14th October 2008, 20:12
Change Submitted by Alan Titherington

List of Changes:

    • Change #1 - =Cosìi fan

Revision 2

Created on Tuesday, 14th October 2008, 20:10
Change Submitted by Alan Titherington

List of Changes:

    • Change #1 - [page1=Così fan tutte] <newline>[heading
    • Change #2 - acting. <newline>.which for a work such as this, is surely a good thing. <newline> <newline>[/page1] <newline>[Page2=Le nozze di Figaro] <newline> <newline>[b]I
    • Change #3 - e[/url]. <newline> <newline>[/page2] <newline>[Page3=Don Giovanni] <newline> <newline>[heading]I
    • Change #4 - set. <newline> <newline>[Page4=Extras] <newline> <newline>Extras
    • Change #5 - object. <newline>[/page4]

Revision 1

Created on Tuesday, 14th October 2008, 20:05
Change Submitted by Alan Titherington

List of Changes:

  • Title changed from Mpzart-Da Ponte Operas to Mozart-Da Ponte Operas
  • Change #1 - operas, with var
  • Change #2 - "[/i] , initiall
  • Change #3 - <newline> <newline>The Dolby Su
  • Change #4 - Despina is a gre
  • Change #5 - shrill (as do s
  • Change #6 - he has enough p
  • Change #7 - ng out, deliveri
  • Change #8 - tains a fairly b
  • Change #9 - rilogy[apost] (but whi

Initial Version

Created on Tuesday, 14th October 2008, 20:01
First Submitted by Alan Titherington